Ibsen's seminal play, which changed modern drama, is a searing view of a male-dominated and authoritarian society, presented with a realism that elevates theatre to a level above mere entertainment. The reverberations of Nora's slamming the door as she leaves Torvald continue to this present day. Nicholas Rudall, justly celebrated for his translations of Ibsen, again provides a play of power and speakability.
The Plays for Performance series is edited by Nicholas Rudall, former artistic director of the Court Theatre at the University of Chicago where he is professor of classics, and Bernard Sahlins, founder and director of the Second City. They both live in Chicago, Illinois.